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58: DISCLOSURE: 9/11 AND THE AMERICAN PSYCHEDELIC DREAM


In this continuation of In a Perfect World 33, experiential journalist Rak Razam interviews author and academic Robert Forte about the origins of the Psychedelic Movement and manipulation by the power elites as a social engineering tool for control of the dominant paradigm. This far-ranging discussion covers Huxley, Wasson, Hofmann, Leary et.al and the social milieu and the role of the CIA and elite steering of the dissemination of psychedelics in the West and the vested interests behind them that have culminated in the global police state that confronts us today. The medical, spiritual and religious arms of the movement are dissected in light of the political agendas that control civilization, as Forte and Razam examine the revolution of the 60s and the revolutionary times we now live through. They ask the critical question: is the commodification of the modern psychedelic movement a prelude to global Soma, and can individuals awaken to their own cosmic sovereignty before it's too late? ROBERT FORTE, AMRS, began his work with psychedelics as a student of Stanislav Grof and Frank Barron, cofounder of the Harvard Psilocybin Project. He obtained his master’s degree under Mircea Eliade and has collaborated with many of the leaders in the field of psychedelics, including R. Gordon Wasson, Timothy Leary, and Huston Smith. A former director of the Albert Hofmann Foundation, he teaches at the California Institute of Integral Studies. Forte's seminal book, Entheogens and the Future of Religion, with contributions by Albert Hofmann, R. Gordon Wasson, Jack Kornfield, Terence McKenna, the Shulgins, Rick Strassman, and others is now back in print, with all proceeds going to support the Council on Spiritual Practices work with psilocybin research.
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.

take off from the real

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
from here

"The upset, the disenchanting quality of the spherical world as opposed to the flat world... On a spherical surface to leave one point is already to begin to draw closer to it! The sphere is monotony. The poles are but a fiction. Does the centre alone remain? with its weightlessness. this is where tourism began! From the moment man realized the world was a sphere."

Victor Segalen - Essay on Exoticism

windless

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
Press your lipsto the doorthe day is windless.Skin of unbroken waterbroken by dogsblackly opening the doorof the water.



history images (last dreams before waking)

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In rivers north of the futureI cast the net youhaltingly weightwith stonewritten shadows


Paul Celan

parody and delerium

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25 Abandoned Yugoslavia Monuments

Parody and delierium. One must be born in Husi to smell the poison of melencholy that eats into mind and soul. One must be born in Husi, where even the crows turn back, to grasp this dream of glory of the native land, to understand this nightmare. Madness is left, becuase only in madness can one overturn, if for a moment, the order of the world that gives not a damn for Husi. - Andrzej Stasiuk -(On the Road to Babadag)







31.

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
Via here

Today I live on an Island, in a house which is sad, hard, severe, that I built for myself, solitary on a shere rock over the sea: a house that is the spectre, the secret image of a prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison. - Curzio Malaparte


and here

Almost. Everything.

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm



Almost. Everything.




It is almost too beautiful


this morning. The world


has begun again.


How long has it been


since I heard the sound


of the wind or saw, dizzied


the tallest heads of grass


scuttled all at once in the sun?


I almost fainted.



It is almost as if


I have come to this place unaware


of what will happen to me.


As if someone had ushered me


through a dark doorway, and now,


having placed before me this sea


of images, turns to leave,


saying, you will lose everything.

Midnight

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm

Midnight


It is another year gone by

the last rain still clinging

to the leaves, cicadas

all of a sudden

overpowering the evening.

Entering the church you

pass the white glimpse of a priest

and a man holding, alarmingly

for a moment, the life-sized body

of a toy child. Wet your head.

Sit beside someone else –

so timid and what? young enough?

With her practical shoes, her

bare, blemished legs beneath a blue skirt.

Shake hands when it is time.

Look her in the eye. Forget

her face almost instantly.

You are dying of thirst and drunker

than you wanted to be. Before you,

in the glow of candles and weak neon

the Priest speaks like a man

drowning in air.

What he wants he cannot quite say.

What we all want we cannot say.

Leave early. Go out into the dark.

Drive home. The revolving light.

There are madmen on the streets and

police and they speak

without making any sound

on the other side of the glass.

summer

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
Olafur Eliasson - Beauty


Summer


The rain dizzies us and at night

forgives even us and trembles

at the edge of the world.

A sheath of water thrown over

the darkness.

Somewhere

a rough sliding door opens

or thunder.

dear sebald (18 May 1944 - 14 December 2001)

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
W. G. (Max) Sebald, the acclaimed German author swerved into oncoming traffic and was killed ten years ago today, in Norfolk, near his home in Norwich, East Anglia. He was fifty seven years old, and, not that it matters I suppose, a likely candidate for the Nobel Prize. An excellent discussion of his work and influence can be located at the blog Vertigo and at the beautiful incongruity that is Five Dials.

flag

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm
David Shrigley, Untitled (I washed the flag), 2011. Ink on paper, 29.7 x 21 cm.

on nature

A Confrontation With Falling - Thu, 2012/03/22 - 8:19pm

On the Nature of Beauty

Monado. Kupang. Ambon. Kungim. What were these strange names hanging ambiguously above the ocean on the televised map on the seat in front of me? Had such places ever existed?

Out the window the sunset lasted for hours - a slow orange burn along the rim of the horizon and a corrugated sea of endless purple clouds that I mistook for the sea itself and which gradually darkened to an ashy blue, to slate. It seemed incredible that we weren’t transfixed by it, that we preferred to look ahead, to read or watch television or sleep uncomfortably rather than press our faces to the cold, shaking plastic. Beauty it seems, like anything, is unendurable in large enough doses.


On the Nature of Ugliness

The Dutch are not necessarily an unattractive race, but when it does happen, theirs is a distinctive type of ugliness, which can be divided into three categories: firstly, those who look like they have been pickled; secondly, those who look like they have been boiled; thirdly, those who look like they have been first pickled, and then boiled. The old maxim about eating and being seems to apply.


On the Nature of the Ridiculous or the Sublime

By train toward a black horizon, rain ricocheting off the window. Beyond the glass, huge lime-green fields suddenly stretch, in which a crisp white goose stands alone. Later, the stumpy black bodies of Shetland ponies wait, motionless, bedraggled, slightly ridiculous.


On the Nature of Chance or Destiny

Somewhere in the Netherlands, by chance, he makes eye contact through a window, with a woman: short grey hair, her head tilted back, her mouth slightly agape, as if, he supposes, she is in some way disabled. It strikes him as poignant that they have each lived their own lives up until this point and will continue to live on opposite sides of the world, with this one brief glance to unite them. Strange, this woman, and not any other.


On the Nature of Circumstance

What is an afternoon in Amsterdam? As these men with their scarves walk their matching Labradors and the late afternoon sun dwindles between the leaves, ordinary people go home slowly along the canal and a man kisses and re-kisses the head of his baby and whistles. The sound of bells twinkle as one million bicycles go back and forth – a man with a cigarette in his mouth glides past, a box of fresh lettuce overflowing at either end of his bike, everyone dodging miraculously at the last minute, without blinking. Nearby, groups of men prowl the narrow streets around the church, and women look out from behind little glass doorways and beckon to strangers, as if they recognise them from somewhere, as if they have something to tell them.

in the netherworld

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I walked in numerous interlacing circles that day around Eindhoven, passing again and again a square in which an empty carousel turned, its little animals and cars waiting patiently for a child while a slightly out of tune theme echoed tinnily in the surrounding streets and a bell rang out. The wind blew piles of autumn leaves in circles at the steps of the cathedral and it rained fitfully and then broke into sharp sun that blinded me so that the cyclists coming in all directions and in no discernable pattern nearly knocked me over a number of times and threw irritable looks behind them and said something ridiculous in Dutch, which was lost on me. Sometime in the afternoon I finally decided to sit down and order a beer in a café where the walls were lined with wooden heads of replica Egyptian cats and framed photographs of motorbikes leaning into the curves of various race tracks. The radio was playing American Rock’ n Roll from the 1950’s. Four people were eating together at a table when I walked in, two men and two women but apart from them the place was completely deserted. Of these four people, the younger woman was exceptionally beautiful, and I had to struggle to keep my eyes on the page I was reading so as not to stare too incessantly at her. You can look at someone, sometimes, like you're taking gulps of something. The four people eventually finished their meal and assumed their role in the café: the boy became a dish-washer, the man become the cook. The elder of the two women became a bar tender and the young woman stepped into her position as the waitress, whose job required her to pull crates of beer across the tiled floor and stack them into a fridge in anticipation of the coming crowds of university students who, wave after wave, kept breathing the life into this strange, soggy little city, as well as making it necessary to erect four sided plastic urinals on various street corners. At some point I noticed with gratitude that it had begun to rain again in the bleak light outside and that a comforting gloom was settling over the afternoon. On the radio Big Joe Turner was singing - Flip Flop and Fly, I don’t care if I die.
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